Texture is what makes this one for me. The way the blue went on makes this print stand out. The colour of marbling where the blue mixes is something else I'm really keen on, with this crimson colour coming into play. The registration is also just as I'd aimed for, working from my little composition plans.
As a whole I'm pleased with how the prints came out. I've got some decent results in terms of contrast after my apprehension on whether marbling would be successful with only two colours. They also work in relation to Adams's work. I feel the colours and techniques used really do reflect on what I've read.
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